Two concurrent exhibitions celebrating the work of the late architect Myron Goldfinger will open on September 19 and 20, 2024. Circle, Square, Triangle: Houses I Never Lived In. The Residential Work of Myron Goldfinger 1963-2008 at The Paul Rudolph Institute For Modern Architecture (PRIMA) will be on view and Circle, Square, Triangle: A World I wanted to Live In. The Public and Unbuilt Work of Myron Goldfinger 1963-2008 will be shown at the Mitchell Algus Gallery.

The two interconnected exhibitions offer complementary studies of Goldfinger’s work, exploring his built residential projects and his unbuilt and community architecture. Both exhibitions consist of original material uncovered during the Paul Rudolph Institute’s process of archiving and indexing Goldfinger’s estate, much of which has never been seen.

At PRIMA, there will be multimedia studies outlining the designs for several houses, including contemporary and historical models, a range of original drawings, from conception to construction – either graphite on vellum or ink on mylar - and original photographic prints by Norman McGrath. Projects include the Goldfinger Residence in Waccabuc, New York designed in 1969; the Zack Residence in Sands Point, New York designed in 1977; and the 1975 design for Roberta Flack’s apartment at the Dakota building in New York City.

The curation of Circle, Square, Triangle sets out to demonstrate Goldfinger’s characteristic and distinctive approach to architecture, which is embedded in the title itself. The phrase “Circle, Square, Triangle” originates from Goldfinger’s own words—he considered these three basic shapes to be the heart of his design, shapes he would transform and assemble into dramatic volumes. His playfulness with geometry led to spectacular interior and exterior architectural features in his work, such as soaring ceilings and gravity-defying cantilevers. Goldfinger insisted that “the fashion of the moment is so temporary. Only the timeless basic geometry repeats in time”. His work was both deeply intuitive while also conveying a clarity of vision. With its clean lines and careful volumetric assemblage, it was honest and direct, described best by Goldfinger himself as ‘ordered simplicity’.

Born in 1933, Goldfinger grew up in Atlantic City. He studied architecture at the University of Pennsylvania, under Louis Kahn and Paul Rudolph, who informed his approach to geometry, spatial hierarchy and material expression. Goldfinger worked for Karl Linn, Skidmore, Owings & Merrill, and Philip Johnson before establishing his own practice in 1966. That same year, he married interior designer June Matkovic, who designed the interiors for his buildings. Goldfinger also began teaching at the Pratt Institute from 1966 to 1976. He designed residences around the world, focusing particularly on the North-East, including Connecticut, Long Island, and New Jersey. These buildings reflect Goldfinger’s sustained interest in stark geometric forms juxtaposed with the exuberance of 1970s and 1980s interiors with oversized plants, expansive mirrored walls, textured carpeting and abstract art. In his monograph, Myron Goldfinger: Architect (1992), he wrote “I am always building the houses I never lived in as a boy.” Goldfinger was also interested in community architecture, as demonstrated in his first book, Villages in the Sun: Mediterranean Community Architecture (1969, reprinted 1993). Here, he voiced his belief that community architecture “is a place for human experience, a rich variety of forms and spaces in which to live, a structural framework which permits the expression of the individual, and the participation of all.”

Exhibition details for Circle, Square, Triangle: Houses I Never Lived In. The Residential Work of Myron Goldfinger 1963-2008

Opening reception: Thursday September 19, 2024, 5-8 PM

Hours: Tuesday-Wednesday: 1-4 PM, Thursday: 1-7 PM, Friday-Saturday: 1-4 PM; and by appointment other days/times.

Location: The Paul Rudolph Institute For Modern Architecture, The Modulightor Building, 246 East 58th Street, New York, NY 10022. The exhibition space is elevator accessible.

Comprising fantastic visions, idea competition submissions, personal manifestos, and depictions of buildings now under construction, all artworks presented in Sergei Tchoban: Sections of the Mind - an assembly of 30 freehand charcoal and ink drawings, watercolors, pastels, and prints - explore effective and imaginary use of the architectural section. Cutting through buildings, colonnades, domes, and whole chunks of cities, the architect not merely exposes his structures spatial and material complexities but reveals hidden histories and meanings. In his drawings, Tchoban addresses clashes of extreme dualities head-on. He looks for the right balance between pragmatic and artistic, ordinary and spectacular, historical and contemporary, and offers his take on how to build more engagingly, responsibly, and ecologically.

Building on the traditions of such masters of sectional perspectives as Leonardo, Palladio, Paul Rudolph, and Lebbeus Woods, Sergei Tchoban's idiosyncratic explorations include an underground single-family villa concealed within a characteristic residential courtyard in the city of his birth, Saint Petersburg; nostalgic ruins overtaken by nature; ghostly church spires rising out of the water over abandoned cities; and, most strikingly, surreal urban scenes where futuristic glass cantilevers of the 21 st century are juxtaposed over Piranesi's representations of ancient and baroque Rome. Sections of the Mind at the Paul Rudolph Institute for Modern Architecture in Manhattan is Tchoban's inaugural exhibition and his drawings are being shown in New York City for the first time.

Sergei Tchoban (b. 1962, Saint Petersburg, Russia) is a German architect, artist, and collector. He graduated from the Repin Institute for Painting, Sculpture, and Architecture at the Russian Academy of Arts in Saint Petersburg in 1986. Tchoban has lived in Germany since 1991. He runs Tchoban Voss Architekten in Berlin, Dresden, and Hamburg. His built works include the Tcho-ban Foundation's Museum for Architectural Drawing in Berlin, the Federation Tower complex in Moscow, the Jewish Cultural Center and Synagogue Chabad Lubavitch in Berlin, and Russian Pavilions at the Milan (2015) and Dubai (2020) World Expos.

He served as the Russian Pavilion curator at the Venice Architecture Biennale in 2010 and 2012. Tchoban is the recipient of the 2018 European Prize for Architecture from the European Centre and The Chicago Athenaeum. His drawings have been exhibited worldwide, and they are in permanent collections of the Victoria and Albert Museum, London; the Albertina, Vienna; Deutsches Architekturmuseum (DAM), Frankfurt; and Museo della Grafica, Pisa.

Vladimir Belogolovsky, curator, New York

Exhibition details for Sergei Tchoban: Sections of the Mind

Opening reception: Thursday April 03, 2025, 6-9 PM

Hours: Tuesday-Wednesday: 1-4 PM, Thursday: 1-7 PM, Friday-Saturday: 1-4 PM; and by appointment other days/times.

Location: The Paul Rudolph Institute For Modern Architecture, The Modulightor Building, 246 East 58th Street, New York, NY 10022. The exhibition space is elevator accessible.