DocomomoUS and the Paul Rudolph Institute for Modern Architecture’s Response to the Proposed Modifications to Rudolph's Boston Government Center

On August 24, 2022, the Commonwealth of Massachusetts issued an announcement designating Leggat McCall Properties as the redevelopment partner for the Charles F. Hurley Building also known as the Boston Government Services Center. You can read a copy of the announcement here.

After reviewing the announcement and the renderings attached to it, DocomomoUS and The Paul Rudolph Institute for Modern Architecture issued the following joint press release:

FOR IMMEDIATE RELEASE

Contact: Kelvin Dickinson

E: office@paulrudolph.institute

P: 917-242-0652

Docomomo US and The Paul Rudolph Institute for Modern Architecture (PRIMA) are jointly responding to the August 24, 2022, announcement by the Commonwealth of Massachusetts on the designation of Leggat McCall Properties as the redevelopment partner for the Charles F. Hurley Building also known as the Boston Government Services Center originally designed by the world-renown architect Paul Rudolph and opened in 1971.

We see the announcement and the attached renderings as just one step in the process of determining the best outcome for the Hurley building and the overall site. We are frustrated that the proposal does not fully preserve and restore the site that the Massachusetts Historical Commission describes as a “significant cultural resource.” The proposal lacks many details in terms of just how much of the original building and its significant features will be removed. While the proposal does not call for total demolition of the building, we will continue to ask the state to maintain as much of the original fabric as possible.

From the current renderings, the two new towers do not seem compatible with one another or the historic building (different materials, colors, and massing) and appear to be separate blocks that have “landed” on the Hurley rather than integrate with the original structure or each other. Our suggestion would be that the team consider reviewing Paul Rudolph’s original design guidelines for the site and work to better integrate any new construction with that methodology.

We are pleased to see the street wall that faces Staniford Street maintains the look and feel of the original design and retains the site's character defining features including the massive colonnade of concrete piers.

We anticipate seeing improved and expanded details that will show how the proposal respects the cultural heritage of the site. From the minimal details provided: the landscaping does not go far enough to be respectful; the announcement included no mention of the conservation of the Costantino Nivola murals; the proposal lacks to a description of how the parking garage will be integrated; nor does the announcement detail the Lindemann stairs that were said to be restored with this proposal.

Speaking on behalf of Docomomo US, Liz Waytkus stated that, “The interventions at the Government Center need to harmonize with the historic site. The announcement yesterday lacked a lot of information as to how that is going to happen. Docomomo US will continue to follow along and engage in this process."

"Rudolph's building is a monument to the government's service to its people and their confidence in the future of Boston," said Kelvin Dickinson, President of The Paul Rudolph Institute for Modern Architecture. "Using spatial motifs that reference Boston's historic connection to the sea, the Government Center is a unique symbol of its time and place. The revisions proposed in yesterday's announcement need to better show how they are consistent with the design guidelines Rudolph established for the site. The Paul Rudolph Institute will follow and encourage this throughout the design process."

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You can download a copy of this press release here.

Introducing the Paul Rudolph Institute for Modern Architecture

Paul Rudolph’s representation of the human figure used as the logo for the Paul Rudolph Institute for Modern Architecture.

The Paul Rudolph Heritage Foundation and the Paul Rudolph Estate are excited to announce the launch of the Paul Rudolph Institute for Modern Architecture.

The Paul Rudolph Institute for Modern Architecture (PRIMA) will replace the Paul Rudolph Heritage Foundation and expand its mission to provide outreach and information to educators, students, design professionals and the broader public interested in learning about the design principles of modern architecture exemplified in Paul Rudolph’s architectural work and teachings.

“Principles are principles. Principles don’t change. Styles change; attitudes change. Things are in a constant state of flux. The only grasp one can have on the profession is to get a handle on great principles.” - Paul Rudolph

Rudolph referred to these principles as the ‘DNA’ of architecture and they include issues of site, function, space, structure/materials, scale and style (referred to as the spirit of the times). These principles are timeless and are not just found in Rudolph’s own buildings: they are not restricted to any one style of construction, location or material.

“Modern architecture’s range of expression is today from A to B. We build isolated buildings with no regard to the space between them, monotonous and endless streets, too many goldfish bowls, too few caves. We tend to build merely diagrams of buildings.”

”One can say that the present tendency to reduce everything to a system of rectangles, both in plan and elevation, is an outgrowth of the modular concept and machine processes. We accept this discipline but we still long innately for the old play of light and shadow, for something curved.” - Paul Rudolph

Rudolph realized that for architecture to be successful, it must solve modern problems and reflect modern times with a respect for a traditional way of seeing and feeling space.

“People, if they think about architecture at all, usually think in terms of the materials. While that’s important, it’s not the thing that determines the psychology of the building. It’s really the compression and release of space, the lighting of that space—dark to light—and the progression of one space to another. Because one remembers in that sense.” - Paul Rudolph

As architecture and design adapt to the changing needs of our modern world - sustainability and climate change; urbanism; affordable housing to name a few - these principles can help us to design and build a better future that keeps and learns from the best of the past.

The New York City-based non-profit 501(c)3 organization was founded by Ernst Wagner, Paul Rudolph’s heir and executor of his estate, to fulfill Rudolph’s wish that an organization be created to preserve and educate others about his architectural legacy. The Institute will promote Rudolph’s design principles through preservation and advocacy efforts, educational programs, public events and maintaining and developing an archive of materials related to modern architecture.

The Institute’s logo is Rudolph’s representation of a human figure in the pen and ink drawings that made his work celebrated around the world. It represents Rudolph’s humanistic view of architecture that emphasizes the power of human beings to create, improve, and reshape their environment with the aid of scientific knowledge, technology and practical experimentation.

Rudolph described architecture as “used space formed to satisfy people’s psychological needs.” This definition places the user at the center of architectural experience and considers human beings as the starting point for any architectural philosophical inquiry.

The Paul Rudolph Institute for Modern Architecture will continue to act as the exclusive worldwide representative for The Estate of Paul Rudolph LLC with regard to licensing third parties for any and all uses of the intellectual property rights of the Works of Paul Rudolph.

If you are interested in becoming involved with the work of the Paul Rudolph Institute, or to find out more about our programs as they develop, please complete the “Contact Us” form and note your interest in this work so we may contact you.

It's not easy being "Green" — If you tear-down a Landmark

Meet Martine Rothblatt, CEO of United Therapeutics. She owns Rudolph’s Kerr Residence in Florida & should be a fan. After promising to preserve it, her company tore down the only Rudolph in NC – the Burroughs Wellcome building in RTP. Now she’s going to lecture on Green Construction…

Burroughs Wellcome was recognized as landmark-worthy in a HABS report by the National Park Service. We fought, along with other organizations, to save the building & thousands of you signed a petition to stop the demolition. But what did Martine do? She sent her PR team to ask us to take down parts of our website that referred to the petition and demolition…

She cares about ‘green construction, including the world’s largest zero carbon building & laboratories, office buildings & residences.’ Zero carbon is not ‘green’ when you send 546,335 cubic feet of construction & 3,100 tons of steel to the dump to make way for your new project…

#Greenbuild invited her to give a keynote at tomorrow’s Global Health & Wellness Summit on Sept 9, 2021. According to https://informaconnect.com/greenbuild/summits/ the summit will ‘discuss how spaces are being redefined amid the ongoing climate crisis’ but does Martine’s solution make the problem worse in order to ‘fix’ it? The greenest building is the one that already exists…

PLEASE SHARE & IF YOU’RE GOING TO ATTEND ask WHY she tore down a Paul Rudolph landmark. Ask if the millions of $$ a year she makes as CEO of the company is the GREEN they mean in ‘Green Construction.’ More about the building is on our website (which Martine’s PR team doesn’t want you to see) at www.bit.ly/rudolphdemo

#PaulRudolph #greenbuild #greenbuilding #greenconstruction #RTP #architecture #brutalism #climate #wellbeing #UnitedTherapeutics @WELLcertified @USGBC @rickfedrizzi @docomomous @WorldGBC @ArchitectsJrnal @AIANational @archpaper @ArchRecord @usmodernist @preservationaction @bwfund @presnc @preservationdurham @c20society @brutalism_appreciation_society @sosbrutalism @ncarchitecture @savingplaces @modarchitecture

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IMAGE CREDITS

NOTES:

The Paul Rudolph Heritage Foundation gratefully thanks all the individuals and organizations whose images are used in this non-profit scholarly and educational project.

The credits are shown when known to us, and are to the best of our knowledge, but the origin and connected rights of many images (especially vintage photos and other vintage materials) are often difficult determine. In all cases the materials are used in-good faith, and in fair use, in our non-profit, scholarly, and educational efforts. If any use, credits, or rights need to be amended or changed, please let us know.

When/If Wikimedia Commons links are provided, they are linked to the information page for that particular image. Information about the rights for the use of each of those images, as well as technical information on the images, can be found on those individual pages.

CREDITS:

Photograph of Martine Rothblatt: Andre Chung, via Wikimedia Commons; Photograph of the Burroughs Wellcome building, in the process of demolition: detail of a photograph by news photojournalist Robert Willett, as they appeared in a January 12, 2021 on-line article in the Raleigh, NC based newspaper The News & Observer; Logo of the Global Health & Wellness Summit: from the web page devoted to the event.

Halston's Legendary Space - and How it Looks Today (and Will Tomorrow)

The great fashion designer Halston, enthroned in his living room—within the famous “101”, the townhouse in New York’s Upper East Side neighborhood in Manhattan . Photo by Harry Benson, from a feature on Halston in Life Magazine.

UPDATE:

The below was written as Netflix was planning its 2021 series ‘Halston’ Since its gone live there has been a HUGE amount of interest about the designer and especially his legendary residence at 101 East 63rd Street in New York City.

We’ve noticed a lot of familiar photos of the interior circulating on social media and even some articles which have published incorrect information about the space.

We were hoping the series was going to rebuild the interior of the home on a soundstage, but appreciate the effort made by the production team to make a property in Brooklyn look as similar as possible (we do regret the handrails that Rudolph never used but understand why they are needed!).

A lot of articles mention Tom Ford’s 2019 purchase and his plans to restore the interiors. For those of you who want to know more, we are republishing the below:

A House with a History

Paul Rudolph designed the original residence at 101 East 63rd street for Mr. Alexander Hirsch in 1966. He created a Modernist oasis for his client, an intensely private person who wanted a place to escape to while still being in the heart of Manhattan. As Rudolph later described the project in Sibyl Moholy-Nagy’s 1970 book, The Architecture of Paul Rudolph:

A world of its own, inward looking and secretive, is created in a relatively small volume of space in the middle of New York City. Varying intensities of light are juxtaposed and related to structures within structures. Simple materials (plaster, paint) are used, but the feeling is of great luxuriousness because of the space. The one exposed facade reveals the interior arrangement of volumes by offsetting each floor and room in plan and section.

The house later went from being a private refuge to a celebrity hot spot known for its notorious parties when it was sold to the fashion designer Halston in the 1970’s. Halston himself spoke about the space in a recent documentary about his life that was featured on CNN:

I’m Halston and this is my home. The architect was Paul Rudolph and the day I saw it, I bought it. Its the only real modern house built in the city of New York since the second world war. Its like living in a three dimensional sculpture.

A video portion of Halston walking through 101 East 63rd from the CNN documentary. Halston’s description of the house begins at 0:46:50.

His lawyer upon visiting the house quipped, “I’m going to enjoy making money for you Halston because you know how to spend it.”

For more information about the house, you can find drawings and photos of it on our project page here.

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Perspective Section Rendering. © The Estate of Paul Rudolph, Paul Rudolph Heritage Foundation

A Buyer as Famous as the House

As we reported in a previous blog post back in March, the house was finally sold to fashion designer Tom Ford after being on the market for a number of years. The sale, first reported in an article in Women’s Wear Daily after being the subject of rumors for a few weeks, was reported across social media and the design community. Articles appeared in Garage, Vogue, GQ, Mansion Global, the Daily Mail and New York Times.

Halston had hired Rudolph to renovate the space when he bought it. Wall to wall grey carpet, mirrored and Plexiglas furniture and chain-mail curtains were installed as a result. Members of the design community were pleased to learn that Tom Ford intended to restore the interior to the glamour that many remembered.

A Restoration, or Renovation?

Shortly before the sale was announced, The Paul Rudolph Heritage Foundation was approached by Mr. Ford’s architect, Atmosphere Design Group, to obtain copies of Rudolph’s original drawings. We were told ‘the client’ wanted to restore the interiors.

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Paul Rudolph’s Mezzanine Floor Plan. © The Estate of Paul Rudolph, Paul Rudolph Heritage Foundation

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Paul Rudolph’s Third Floor Plan. © The Estate of Paul Rudolph, Paul Rudolph Heritage Foundation

We asked the architect to consider consulting with the Paul Rudolph Heritage Foundation during the design process to ensure the design was faithful to Mr. Rudolph’s original vision. They said they would consider it and were never heard from again. Given the architect is generally known for Mr. Ford’s retail store design, we were concerned when we learned a demolition permit was issued in August, 2019.

Our request was not without precedent - the Paul Rudolph Heritage Foundation has given advice, free of charge, to owners of Rudolph-designed properties in the past. We were part of the design review of proposed replacement windows at the Mary Jewett Arts Center. We also helped a home owner in New Jersey find an architect to design an addition. In the end, he was able to hire Rudolph’s original project manager to construct the addition in way that fit into the original design.

A Cautious Optimism

We continued to hold out hope that - despite not hearing from the architect - the project was ‘in good hands.’ From online comments and at our public events, people were relieved to hear Mr. Ford had purchased the property as he was known for taking care of homes designed by significant architects, such as Richard Neutra.

Following the CNN documentary, Netflix announced that it too was going to do a story about Halston and were scouting locations to use for filming. Netflix location scouts visited us in the Rudolph-designed apartment at Modulightor and we spoke to them about Mr. Ford’s proposed changes and they said they would call us after seeing the original home for themselves. That was followed by the New York Times publishing the Halston interior as #19 on its ‘25 Rooms that Influence the Way We Design’

As the iconic interior continued to be in the news, we waited to see what was being done to the space.

Then we got a call - “The space is gutted, Its unrecognizable.”

What Will Change and What Will Stay the Same

The foundation immediately made phone calls and was able to obtain a set of the permit drawings. The following is what we learned about the work:

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First Floor - Existing Plan. © The Estate of Paul Rudolph, Paul Rudolph Heritage Foundation

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First Floor - Demolition Plan. Drawing by Atmosphere Design Group, from the NYC DOB.

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First Floor - Construction Plan. Drawing by Atmosphere Design Group, from the NYC DOB.

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Second Floor - Existing Plan. © The Estate of Paul Rudolph, Paul Rudolph Heritage Foundation

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Second Floor - Demolition Plan. Drawing by Atmosphere Design Group, from the NYC DOB.

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Second Floor - Construction Plan. Drawing by Atmosphere Design Group, from the NYC DOB.

What’s different:

• All of the bathrooms are being gutted and some are combined to become larger. Looking at the elevations, we are pleased to learn it will include floor to ceiling mirrors with chrome vanities and toilets in some of them.

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Mirrors, mirrors everywhere… reminds us of the note ‘melamine everything’ that was found during a renovation of Rudolph’s own 23 Beekman Place. We especially love the polished chrome toilet and vanity with undercounter lighting. Drawing by Atmosphere Design Group, from the NYC DOB.

• The Kitchen will be enlarged (presumably for a menu greater than just ‘baked potatoes’)

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Mirrors used for the kitchen back-splash are reminiscent of the kitchen designed by Paul Rudolph at the Modulightor’s duplex apartment. Drawing by Atmosphere Design Group, from the NYC DOB.

• The Master Bedroom’s walk in closet is being removed and turned into a separate bedroom

What’s the same:

• The main space for the most part is left alone. While this is a relief, it will disappoint anyone who was hoping the hardwood flooring, installed by a previous owner, would be replaced by Halston’s signature grey wall-to-wall plush carpeting.

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The iconic living room will be left mostly as is. The furniture layout suggests it may be recreated to match Halston’s Rudolph-designed originals. Drawing by Atmosphere Design Group, from the NYC DOB.

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The living room floor and stair treads are now wood. According to the plans, they will remain wood. Photo by Carl Bellavia, Archives of the Paul Rudolph Heritage Foundation.

The original funriture layout designed by Paul Rudolph for Halston. Photo by Harry Benson, from a feature on Halston in Life Magazine.

What could be a concern:

• Despite being in a landmark district - and signed off by the Landmark’s Commission as having no affect on the building exterior - the drawings show the original garage door will be removed and replaced.

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Note the garage door is dotted on the demolition plan, with a note calling for it to be replaced. Drawing by Atmosphere Design Group, from the NYC DOB.

• The drawings call for renovations of the landscaping and roof to be filed separately

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The Fourth Floor construction plan, showing no work to be done on the roof, but calling for new roof tree planters. Drawing by Atmosphere Design Group, from the NYC DOB.

The Paul Rudolph Heritage Foundation will continue to watch for future applications to see what is planned for these areas that fall under landmarks review and protection.

Rudolph's Sid W. Richardson Physical Sciences Building Recognized with Award

Paul Rudolph’s 1966 Sid W. Richardson Physical Sciences Building.

Paul Rudolph’s 1966 Sid W. Richardson Physical Sciences Building was honored with a 25 Year Honor Award from the AIA Fort Worth last night - Thursday, February 25th - during a virtual awards ceremony attended by the Paul Rudolph Heritage Foundation.

According to AIA Fort Worth Honor Awards Committee:

The 25 year award is a test of time used to single out projects built after 1950 that are designed by an architect licensed in the United States, and considered important to the architectural heritage of Fort Worth. Project type or size is not the primary consideration while lasting quality and good design are the foremost considerations.

Photo of the model with (left to right) H.B. Fugua, Leigh Secrest, Dr. James Moudy taken December 02, 1966. Image from the Texas Christian University, TCU Archives and Historical Collections.

This year’s award was given to Paul Rudolph as the project architect with M. Geren & Associates as the associate architect. Accepting the award was Todd Waldvogel, Associate Vice Chancellor for Facilities for Texas Christian University - where the project is located.

Upon accepting the award, Waldvogel said,

“I’d like to thank the AIA Fort Worth, We are proud of our legacy of excellence in design and construction on the TCU campus. It was a marvel in the mid-century when it was designed and built and it is still a workhorse as we transition our science and engineering to twenty-first century work in our laboratories. It is a stately piece of our campus over there and we are happy to accept this award. Thank you for the consideration.”

The ground floor plan of the Sid W. Richardson Physical Sciences Building. Image from the Paul Rudolph Estate Archives at the Paul Rudolph Heritage Foundation.

The building, designed in 1966 and completed in 1970, was constructed as an addition to the original Art-deco inspired Winton-Scott Hall, itself constructed in 1952.

The building is recognized as the first modernist building on Texas Christian University. More information and photos of the building are on our project page, and a essay about Rudolph’s work in Texas by local architect Mark Gunderson can be found on our site here.

The exterior of the Sid W. Richardson Physical Sciences Building in the late 1960’s. Image from the Lauren Soth Architecture Collection, Carleton College.

The award was first presented by the Fort Worth chapter beginning in 1999 to the Kimbell Art Museum by Louis Kahn.

Paul Rudolph projects have been presented with the award in the past, including the Bass Residence in 2005 and City Center Towers in 2011. Rudolph is joined by distinguished architects such as Louis Kahn, Philip Johnson and I.M. Pei among many others who have done exceptional work in the Fort Wroth area.

The Engel Residence - featuring a stunning Rudolph addition - is on the market

Photo by Daniel Milstein Photography © PlanOmatic

Paul Rudolph’s Engel Residence at 20 Pleasant Ridge Road in Harrison, New York is for sale.

The original residence was constructed in 1939, and Paul Rudolph designed an addition to the home in 1986.

The Engel Residence addition is the result of a personal friendship between Cecile Engel and Paul Rudolph, who was a contributor to a book of essays she edited and published (Delphinium Blossoms: An Anthology).

The secluded 7,452 sq. ft. residence is situated on a private 4 acre landscaped property with an in-ground pool and tennis court, providing a tranquil oasis just 40 minutes from Grand Central in nearby New York City. The property abuts a maintained horse and hiking trail.

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The Rudolph addition features dramatic entertaining rooms with floor-to-ceiling picture windows and sliding doors looking out over the beautiful natural surroundings. The first floor includes several Rudolph design interventions including a one-of-a-kind temperature controlled 3,000-bottle wine room.

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A 1,570 sq. ft. stunning Master Suite designed by Rudolph offers serenity with soaring ceilings, floating beams and masterfully hidden lighting throughout the adjacent walk-in closets and oversized ensuite Master Bath complete with jacuzzi tub and travertine tiles.

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The property features a free form heated pool, tennis court, rolling lawns, stone terraces, and lush landscaping.

Property Details

Square Footage: 7,452 s.f.

Lot size : 4.0 acres (174,240 s.f.) landscaped with pool & tennis court, abuts a maintained horse/hiking trail

Location: Harrison, New York

Systems: Central Heating and Central Air Conditioning

Layout: 5 bedrooms and 5.5 baths, spread across a two level floor plan. The house features a detached garage with space for 2 cars accessible by covered walkway.

Taxes: 2019 -2020 ($23,350 / year)

The home is being offered for sale by the current owners for $1.9 million USD.

You can learn more about the Engel Residence (including more images of the interior and exterior) at the Paul Rudolph Heritage Foundation’s page for the property’s sale here.

It is always a good time to celebrate Paul Rudolph’s architecture —and we can’t think of a better way to celebrate the New Year than finding a new owner who will appreciate and preserve this modernist gem.

You can reach out to us at office@paulrudolphheritagefoundation.org for more information.

Kickstarter Campaign Launched to Render Rudolph Project

Rudolph’s Perspective Rendering of the unbuilt Gatot Subroto project for Jakarta, Indonesia. Image © The Estate of Paul Rudolph, The Paul Rudolph Heritage Foundation.

A Kickstarter campaign has been launched by researcher and author Eric Wolff to professionally render one of Paul Rudolph’s little-known late works, the unbuilt Gatot Subroto project in Jakarta, Indonesia.

From the kickstarter site:

Some refer to his late works in Asia as ”seven buildings including a couple of villas” and describe Rudolph’s late career as a kind of afterthought to a, at times controversial but, prolific career.  My research into Rudolph’s archives, interviews with his office personnel and visits to his buildings in Asia, reveal that Rudolph‘s late career period was not only bountiful, but reflects a period where Rudolph was performing at the peak of his capabilities and sensibilities producing some of his finest works ever.  In his late career (1978 - 1997), Rudolph participated in about 50 projects and completed upwards of 20 buildings in Asia, cementing his place alongside, and sometimes in direct competition with, architectural titans like Richard Meier, I.M. Pei, Kenzo Tange and John Portman.  Rudolph’s late works are not well known and have not been fully evaluated, in this project I am recreating select Paul Rudolph buildings digitally from his archived drawings/material and rendering them into illustration.

Importantly, many of the ”undiscovered” Asian works exemplify Rudolph‘s specific contributions to Modernist Architecture.  You do not have to love Rudolph's buildings to appreciate that he pushed the envelope in terms of sculptural design; but he also innovated in areas of sustainability and structure.  In this project I will illustrate the ambitious Gatot Subroto (unbuilt), that was designed for Jakarta, Indonesia as an ”office village” with 875,000 square feet of office space, and 450,000 square feet of parking.  The outcome will be a full color poster sized realistic rendering of the Gatot Subroto at dusk, as well if budget allows several close up realistic renderings of the buildings interior and roof garden spaces.

The late works in Asia demonstrate how the Modernist principles base of Le Corbusier, Mies van der Rohe and Frank Lloyd Wright were combined and evolved by Paul Rudolph to create a unique new vocabulary that would inspire today’s contemporary architects.

The Gatot Subroto (Jakarta, Indonesia 1990) is an example of Rudolph’s unique point of view.  The client requested eight towers to be developed on an existing property as an office condominium complex in which the Dharmala group would occupy part of the space.  Rudolph’s initial designs reflected the request of eight towers, joined by floors spanning the complex reading as a ”perforated wall”.  The client wanted a more cohesive look from the busy street and in order to attract top clients, did not want their own anchor space to dominate the design.  Rudolph, heeding the client feedback, in his final design created a masterpiece!

The Gatot Subroto represents one of the earliest examples of sustainability in architecture.  its windows are slanted and shaded to deflect the mid-day Indonesian sun.  Between the cantilevered three floor blocks are void-decks capped with roof garden terraces, increasing the green factor higher than the buildings footprint.  A testament to sustainability before it was even in fashion.

Paul Rudolph’s original project model for the Gatot Subroto project. Image © The Estate of Paul Rudolph, The Paul Rudolph Heritage Foundation.

Mr. Wolff began researching the architect’s late designs for his upcoming book RUDOLPH :: RENAISSANCE Evaluating Paul Rudolph’s contributions to Architecture through his undiscovered late works until in-person activities were curtailed due to COVID-19.  Not to be deterred, he began to recreate Rudolph's “unbuilt” designs as digital models.  

The Gatot Subroto model in progress. Image courtesy Eric Wolff.

According to Mr. Wolff,

“As part of my research I am digitally ‘building’ the Gatot Subroto based on drawings and models from Rudolph’s uncatalogued materials.  I am working with a firm to render my digital ‘build’ into a life-like poster sized illustration of the building.  We will render a scene with the building as seen from the street at dusk to emphasize the structure and fenestration.  The output will be a large full-color poster illustration of the Gatot Subroto at dusk, which we will have professionally printed and available for donors. The illustration will later be used in the book and at events promoting the book.

To illustrate these designs an exciting collaboration with Design Distill was born.  Design Distill is a multidisciplinary group that has the passion, talents and capabilities to translate my research of Paul Rudolph’s late works into visualizations, bringing the buildings to life so they can be evaluated and celebrated.

Rudolph’s buildings need to be experienced to be properly critiqued; making life-like  illustrations will help viewers experience the buildings and interior spaces more completely.  The digitization will help myself and other researchers study the structural and design elements intended by Rudolph.  It will ”preserve” the buildings as they were intended to be built but with the ability to look at them in three dimensions and with the possibility of exporting the files for 3-D printing.

Importantly, the ‘eye candy’ of the buildings mask important contributions and innovations that Rudolph gave to the world of architecture, and through the rendering of his works his design principles can be further evaluated.  This project will re-create the Gatot Subroto from blueprints, models and drawings and produce realistic renderings of the exterior, roof gardens and select interior spaces so they can be better understood and evaluated.  The funding from this Kickstarter has been budgeted specifically for the work related to the Gatot Subroto.

The Paul Rudolph Heritage Foundation’s mission includes supporting research about Mr. Rudolph’s architectural legacy and we are assisting Mr. Wolff’s kickstarter campaign as well as his future book.

We encourage you to help make this project a reality by going to the kickstarter link here and please share this project with your friends. Let’s see the Gatot Subroto project as Rudolph had intended!

Paul Rudolph's 1982 Edersheim Residence is on the market

The Edersheim Residence in Larchmont, New York in 2020. Photograph by Filip Michalowski of CT Plans, courtesy Houlihan Lawrence

Paul Rudolph’s Edersheim Residence at 862 Fenimore Road in Larchmont, New York is for sale.

The original house was constructed in 1958 and owners Maurits and Claire Edersheim hired Rudolph to design alterations to the property in 1982, following his interior renovation of their New York City Apartment on Fifth Avenue in 1970.

The Edersheim apartment in New York City in 2019. Photos by Ethan Shapiro © The Estate of Paul Rudolph, The Paul Rudolph Heritage Foundation.

The Edersheims requested Rudolph design alterations and additions to the property again in 1989 and 1991. Original Rudolph designs include a pool/guest house, main residence entry, covered porch, expansive built-ins, skylights, interior lighting and a complete renovation of the main structure.

The Covered Porch under construction. Photo by R.D. Chin from the Archives of The Paul Rudolph Heritage Foundation.

The Pool/Guest House under construction. Photo by R.D. Chin from the Archives of The Paul Rudolph Heritage Foundation.

The Pool/Guest House under construction. Photo by R.D. Chin from the Archives of The Paul Rudolph Heritage Foundation.

The Edersheims would become some of Rudolph’s most faithful clients, choosing him to design several projects including an office suite for Mr. Edersheim at the Salomon Smith Barney office in New York’s World Trade Center Complex in 1994.

The compound (renovated in 2020) includes the Main Residence, a separate Apartment/Office and a Pool/Guest House. This is a rare opportunity that is perfect for sheltering in place.

Located in Larchmont, NY - just north of New Rochelle and New York City - the home is sited on a 2.49 acre landscaped lot and is listed for $6.4 million USD.

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The property includes indoor & outdoor swimming pools, wet/dry sauna, media room, gym, and multiple work spaces. The open flow floor plan features several additions designed by Paul Rudolph. The Master Suite includes a 21 jet tub, steam shower, rain/body showers, dual water closets, towel warmers, vanity/ dressing area and attached closets.

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About 10,000 sq feet of outdoor living space includes a 1,000 sq ft screened-in outdoor covered porch with an outdoor kitchen for entertaining.

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The residence is located on a unique 2.49 acre private landscaped property in Larchmont and is an easy NYC commute with access to golf, country clubs & the water.

You can learn more about the Edersheim Residence (including more images) at the Paul Rudolph Heritage Foundation’s page for the property’s sale here.

You can also reach out to us at office@paulrudolphheritagefoundation.org for more information.

What's In A Name? When a "Rudolph" Really Isn't One

A home in Chester, NY that the owners claim was designed by Paul Rudolph. Image from a previous listing on Weichert Realtors.

When you represent the estate of an architect who has designed residential properties, you eventually receive word that they are going to be sold. At that point, in steps a real estate agent with the marketing vocabulary and poetic license to find a new owner.

As Christine Bartsch writes in her blog Writing Creative Real Estate Listing Descriptions: 3 Pro Tips (and a Warning!), “The better your listing description is, the better your chances are that buyers will come see your home in person. And the more showings you have, the higher your odds are to get multiple offers.”

It can sometimes be hard to find a new owner for a Rudolph-designed home. They can be of a certain age that they seem too small for today’s buyers (like the Cerritto Residence) or in a location that is no longer remote and in danger of being demolished for a bigger house (like the Walker Guest House) or they can be in a style that can make them hard to love (like the Micheels Residence).

In some cases the owners reach out to the Paul Rudolph Heritage Foundation and we work with them to find a new owner who will preserve the property. We list these properties on our website with instructions here.

As we state in our mission statement, one of our goals is to help provide connections between sellers of Rudolph properties with preservation-minded buyers and design-sensitive real estate professionals. In order to ensure the properties are preserved, it is important they are owned and maintained.

So its interesting that - while its already challenging to preserve original Rudolph designs - we come across properties that claim they are Rudolph designs when there is no evidence that they are.

Note: The following homes are not included in Rudolph’s project list and we have no evidence (in either drawings, photographs or written communication) that they are Rudolph designs. We are happy to update our archives if the owners contact us and can provide supporting documentation.

Let’s take a look at three of these homes:

904 Virginia Drive in Sarasota, Florida

The original house in 2007

The new house in 2020

According to the property’s listing:

This entertainer's dream home is located in the heart of Sarasota's Cultural District. This home was designed by renowned architects Ralph Twitchell and Paul Rudolph in 1940 with construction being completed in 1941. The home was remodeled and expanded in 2009, and refreshed in 2019. The design is a perfect blend of contemporary and mid-century modern.

As soon as we read the listing (sent from a Rudolph fan) we knew the Rudolph reference was mistaken because he joined Twitchell’s office in the Spring of 1941 - the same year construction was completed.

We reached out to several friends in Florida and learned the original address is indeed a Twitchell design, known as the ‘Second Lu Andrews residence’. Pictures of the home appear in John Howey’s 1997 book The Sarasota School of Architecture, 1941-1966.

We were provided a note by a previous owner in the 1990’s that explains a short history of the home. Below is an excerpt:

“There was a small piece in our paper yesterday in the real estate section about the Lu Andrew home in Tahiti Park. I was moved to give a brief history of her second home built in 1939, which my husband and I owned about six years ago. Both homes were built by her boss Ralph Twitchell.

When Pat and I started looking to buy our first home we were living on Hickory street and had both been living here and there in the IBSS neighborhood for years. It was our hope to find a house in the area, and we spent a year looking.

Walking our dogs we came upon 904 Virginia Drive, a for sale sign had just been erected and we immediately went back home to call our realtor to inquire about this charming modern house. We set up an appointment for the very next day, the price was a bit out of our range, but with the idea of negotiating we remained positive.

Meeting the realtor at 904 we knew right away that the outside of the property was a dream, and once the door opened we knew instantly that we had finally found our home. It was small, 900 square feet, perfect for two. It was important for us that the house we bought wasn't entirely bastardized.

Walking into 904 we were delighted by the original integrity, design and layout. Putting an offer in quickly, and dealing with owners that loved the house and yard, it was a given that it would all work out.

Once we occupied the Twitchell house we started to research it's previous owners and history. In the hopes of meeting it's original owner we went to see if Lu Andrews was home at her Tahiti Park address.

Arriving there, we knew from the looks of the house that it hadn't been lived in for quite some time. One of her neighbors saw us and we all started talking and she told us that Lu's son had put her into a nursing home just a few months ago. She knew a lot about the history and about Lu, and was kind enough to let us know where Lu was now living. We called the nursing home and made an appointment to meet with her.

We learned that Ralph built the home for Lu and her son, that Lu slept in the living room on built-in day beds (no longer there) that her son slept in the back bedroom and the front room was to rent out to someone so that it was affordable for Lu. Times ware tough in Sarasota in the 40's, the building boom declined rapidly and when the war broke out work was hard to get. Being a single parent with a son to raise, Lu moved to Washington DC to work as a secretary. She had lived in 904 for a short time, never to return. she moved back to Sarasota after the war and the Tahiti Park house was built for her by Ralph, but the materials used were more humble as the economy here was still tight. She was a dear lady, and her memory faded back and forth, but we were still able to extract this brief history.

Once our children arrived the house was becoming quite small, so we investigated adding on and hired the architect John Howey. We felt John would be perfect as he had just published a book on the Sarasota School of Architecture. Plans were drawn and during the process my neighbor across the street had decided to sell his home, and it was offered to us. Economically it was a wise decision, building the addition was expensive in comparison. We would be going from 900 s.f. into 2000 s.f. without the headache, but with the loss of our sweet Twitchell home.

Sometimes we make decisions with the hopes the what we decide will stay the same, unfortunately two years ago 904 was forever changed.

The beautiful 100 year old river cypress torn away from the walls - paneled throughout the ceilings and walls - piled high into dumpsters. When living at 904 while reading in bed my eyes could not help but to always delight in the beauty of the cypress grain, every bit worthy, of it's title, River Tide, as the grain looks like the water moving along the shore. As if the cypress tree is so ingrained into the life of the water from which it is born.

Twitchell often left a whimsical signature in the homes he built, stars cut out from the cypress, and the cut out itself, neatly imposed near entryways. As the demolition continued at 904, Pat was able to salvage the star paneling and many paneling boards.

On the back of some of the boards was a stamp from the lumber mill from which the cypress originated. In 1922 Cummer Sons Cypress Company was built on 100 acres in Pasco County, in the town of Lacoochee, Florida. The town of Lacoochee thrived for nearly 40 years, where Cummer Sons Cypress, a giant in the logging and lumber industry, made their last stand near the Withlacoochee river. It closed in 1959, and with its demise the town fell into hard times, as the mill was the main employer, providing jobs and housing mostly for African Americans.

I still dream about 904, mostly that I have forgotten a treasure, tucked away in the beautiful memory of a cypress tree.”

The home was modernized in the 2000’s and then later sold to a new owner who demolished 95% of the house and rebuilt it. As our source in Florida told us, “Twitchell at 904 Virginia Drive is long gone.”

On a side note - a wonderful SketchUp model of Lu Andrews’ 3rd house at Tahiti Park referenced in the note above can be found here.

1212 East Sierra Way in Palm Springs, California

A photograph of 1212 East Sierra Way from the property’s listing on Zillow.

The AirBNB listing for the 4,100 s.f. property states:

This iconic mid-century multi-level home in the prestigious Indian Canyons neighborhood was designed by renowned architect Paul Rudolph. Casa Colibri is a sprawling property with expansive rooms and an abundance of floor-to-ceiling windows that shed light on the spectacular, mid-century interior.

In this case, we were alerted by Docomomo - a non-profit organization dedicated to the documentation and conservation of buildings, sites and neighborhoods of the modern movement - asking for confirmation. The listing says the exact location will be provided after booking. A little digging and we discovered a similar listing for ‘Casa Colibri’ on Vrbo which also states, “this iconic mid-century multi-level home in the prestigious Indian Canyons neighborhood was designed by renowned architect Paul Rudolph.”

What caught our eye was the Vrbo listing headline - “3 bedroom 5 bath mid-century 4100 sq ft home featured in modernism week tours.” When members of the Paul Rudolph Heritage Foundation were in Palm Springs for Modernism Week in 2019 to see the Walker Guest House replica we had no idea we were only a 6 minute drive away. No one we spoke to mentioned a Rudolph-designed home was in town, and information about Rudolph at the replica’s installation made no reference to it.

A public records search of Palm Springs (along with a little flying around via Google Earth) and we learned that Casa Colibri is located at 1212 East Sierra Way. According to the property records, the residence was built in 1977. We also found a Zillow listing for a previous sale by Douglas Elliman in 2017 that states:

A house of pure architecture and one of Indian Canyon's most dramatic houses. The different levels recall the work of modernist architect Paul Rudolph and are part of what makes the sight lines so interesting. Extensively renovated by Solterra Construction in 2008 this home has comfortable yet contemporary style and lots of architectural drama.

Within a few years a house that ‘recalls’ Paul Rudolph has become ‘designed’ by him.

19 Greentree Lane in Chester, New York

Photo from the Property Description Report from the Orange County, NY Municipal website

The 7,202 sqft home - which sold for $285,000 in 1995 and then $238,000 in 1999 - jumped 1,034% in price to $2,700,000 in 2014. According to public property records, the home was originally built in 1986 and last modified in 2000-2001. The additions include a 240 s.f. carport, 650 s.f. attached garage and 80 s.f. covered porch. No date is available when the heliport was added on the property.

The residence was listed and delisted several times since 2013 and marketing mentions Paul Rudolph although you might miss it based on the spelling:

“The Hudson Villa is named after its historic origin. Created by the renowned architect Paul Rudolf, the estate is a masterpiece of design and craftsmanship featuring a private white-sand beach and a resort-like setting less than an hour away from New York City.” - Hudson Valley Style Magazine, 07/09/2020

On its own website, the property description states:

“Designed by the renowned American architect Paul Rudolph, the home pays homage to the lodge tradition - precise craftsmanship is evident in architectural accents including cathedral ceilings, light-flooding skylights, and warm stone elements. Security and privacy are front of mind in the design, layout, and features of the property.”

We encourage you to visit the website and judge Rudolph’s participation for yourself based upon the pictures of the home’s interior.

Or, you can check this listing from the Off The Mrkt blog in September 2018:

Reality TV personality and mentor on Scared Straight and MAURY, Dave Vitalli, is selling an aspen style safe house in Chester, New York for $3,088,000.

This safe house located at 19 Greentree Lane was originally built by Paul Rudolph, a renowned architect, in 1986. Rudolph spared no expense when it came to making sure the house would withstand the threats of the world outside. 

The safe house is built of thick slabs of concrete and reinforced steel to help maintain the structure just in case something were to happen. It also has generators, wells, and septic systems in place to allow for comfortable off the grid living. This property has also been previously used as a retreat for diplomats, celebrities, and dignitaries through the years.

The site includes a link to Rudolph’s wikipedia page, because they wouldn’t be able to find a link for the home in our project archives.

Its also interesting to note that the home’s location - Chester, NY - is located in Orange County. Orange County is best known for several Rudolph-related preservation controversies including the destruction of the John W. Chorley Elementary school in Middletown and the partial destruction and insensitive addition to the Orange County Government Center. Could the controversy and Rudolph’s name in the local paper have inspired the marketing connection?

The USModernist organization - which follows and promotes the preservation of modernist homes - says the house was “for sale 2014-2018, advertised as a Paul Rudolph design, based on a claim by the owner. We found no evidence to support that claim whatsoever, and the owner declined to produce any.”

USModernist contacted the property’s real estate agent in 2017, who could not produce any documentation but that Rudolph’s authorship is something ‘the family told them.’ The agent also said the owners commissioned Rudolph to do the renovation.  However, they bought the house in 1999 after Paul Rudolph had passed away in 1997.

After speaking with us, USModernist informed the sales agent and asked that the record be corrected. Instead, the house was delisted only to return yet again as a Rudolph in several relistings with different agents ever since.

Rudolph comes up a few times in the history of this property - either ‘sparing no expense’ in 1986 or renovating the property in 1999 from the afterlife. We note with irony that the renamed ‘Hudson Villa’ is trademarked on the listing’s current website, while taking liberty with the mention of Rudolph’s involvement in the ‘trademark’ design.

Why Now?

Several sales of Rudolph properties have been in the news lately, so we aren’t surprised that Rudolph’s name is being used as a marketing tool.

In 2019, two original Rudolph properties were sold. The 1952 Walker Guest House in Sanibel, Florida was sold at auction by Southebys-New York in December for $750,000 and, with auction house fees, the total came to $920,000. As we reported earlier this month, it is in the process of being moved to a location in California.

The other sale was Rudolph’s 1986 Triestman Residence which went through a subsequent interior modification by the new owner.

In 2020, Rudolph’s 1949 Bennett Residence was sold for $395,500 after being listed for just 3 days. We learned that the new owner purchased it sight unseen for the full asking price - even in the middle of a pandemic.

This year also saw the sale of the Walker Guest House Replica that was on display during Palm Springs Modernism Week (a short drive from the would-be Rudolph) by Heritage Auctions. Bidding began at $10,000 - the budget for the original home when it was first built.

So when we find sellers using Rudolph’s name as a way to get more attention, we take it as a sign of success in our efforts to keep Paul Rudolph’s work in the public’s consciousness.

None of this is meant to make a value judgement about the homes mentioned above, just that they are not Paul Rudolph designs. As is the case with art or architecture, its ‘buyer beware’ and in some cases definitely not ‘you get what you pay for.’

The Bennett Residence - rare Sarasota School Gem - is on the market

Photo: Louis Wery, Archive of the Estate of Paul Rudolph, The Paul Rudolph Heritage Foundation.

The Allen and Barbara Bennett Residence is now for sale. A rarely available property - and one of the few remaining original Twitchell & Rudolph homes to still exist - the restored residence is looking for a new owner who appreciates Mid-Century Modernism.

Located in Bradenton - just north of Sarasota, Florida - the home is sited on a corner lot and is listed for $395,000.

The design brings together native and modern materials – heart cypress, lime block, plate glass – into a disciplined composition reflecting the principles of the Sarasota School of Architecture.

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Sited at ground level, the floor plan works well for wheelchair access. Glass walls open to the outdoors and a private garden courtyard. The Ocala block fireplace and accent walls ground this unique design in its natural surroundings.

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The home was restored by architect and author Joseph King who wrote extensively about Rudolph, and is featured in the 2002 book Paul Rudolph: The Florida Houses.

You can learn more about the Bennett Residence (including more images and a virtual tour) at the Paul Rudolph Heritage Foundation’s page for the property’s sale here.

Celebrate National Preservation Month by Preserving Paul Rudolph’s architecture

It is always a good time to celebrate Paul Rudolph’s architecture —and we can’t think of a better way to celebrate National Preservation Month than finding a new owner who will appreciate and preserve this modernist gem.

You can reach out to us at office@paulrudolphheritagefoundation.org for more information.

A Year of Paul Rudolph - by the Numbers....

Halston meets tom ford - what is being done at 101 east 63rd

The great fashion designer Halston, enthroned in his living room—within the famous “101”, the townhouse in New York’s Upper East Side neighborhood in Manhattan . Photo by Harry Benson, from a feature on Halston in Life Magazine.

A House with a History

Paul Rudolph designed the original residence at 101 East 63rd street for Mr. Alexander Hirsch in 1966. He created a Modernist oasis for his client, an intensely private person who wanted a place to escape to while still being in the heart of Manhattan. As Rudolph later described the project in Sibyl Moholy-Nagy’s 1970 book, The Architecture of Paul Rudolph:

A world of its own, inward looking and secretive, is created in a relatively small volume of space in the middle of New York City. Varying intensities of light are juxtaposed and related to structures within structures. Simple materials (plaster, paint) are used, but the feeling is of great luxuriousness because of the space. The one exposed facade reveals the interior arrangement of volumes by offsetting each floor and room in plan and section.

The house later went from being a private refuge to a celebrity hot spot known for its notorious parties when it was sold to the fashion designer Halston in the 1970’s. Halston himself spoke about the space in a recent documentary about his life that was featured on CNN:

I’m Halston and this is my home. The architect was Paul Rudolph and the day I saw it, I bought it. Its the only real modern house built in the city of New York since the second world war. Its like living in a three dimensional sculpture.

A video portion of Halston walking through 101 East 63rd from the CNN documentary. Halston’s description of the house begins at 0:46:50.

His lawyer upon visiting the house quipped, “I’m going to enjoy making money for you Halston because you know how to spend it.”

For more information about the house, you can find drawings and photos of it on our project page here.

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Perspective Section Rendering. © The Estate of Paul Rudolph, Paul Rudolph Heritage Foundation

A Buyer as Famous as the House

As we reported in a previous blog post back in March, the house was finally sold to fashion designer Tom Ford after being on the market for a number of years. The sale, first reported in an article in Women’s Wear Daily after being the subject of rumors for a few weeks, was reported across social media and the design community. Articles appeared in Garage, Vogue, GQ, Mansion Global, the Daily Mail and New York Times.

Halston had hired Rudolph to renovate the space when he bought it. Wall to wall grey carpet, mirrored and Plexiglas furniture and chain-mail curtains were installed as a result. Members of the design community were pleased to learn that Tom Ford intended to restore the interior to the glamour that many remembered.

A Restoration, or Renovation?

Shortly before the sale was announced, The Paul Rudolph Heritage Foundation was approached by Mr. Ford’s architect, Atmosphere Design Group, to obtain copies of Rudolph’s original drawings. We were told ‘the client’ wanted to restore the interiors.

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Paul Rudolph’s Mezzanine Floor Plan. © The Estate of Paul Rudolph, Paul Rudolph Heritage Foundation

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Paul Rudolph’s Third Floor Plan. © The Estate of Paul Rudolph, Paul Rudolph Heritage Foundation

We asked the architect to consider consulting with the Paul Rudolph Heritage Foundation during the design process to ensure the design was faithful to Mr. Rudolph’s original vision. They said they would consider it and were never heard from again. Given the architect is generally known for Mr. Ford’s retail store design, we were concerned when we learned a demolition permit was issued in August, 2019.

Our request was not without precedent - the Paul Rudolph Heritage Foundation has given advice, free of charge, to owners of Rudolph-designed properties in the past. We were part of the design review of proposed replacement windows at the Mary Jewett Arts Center. We also helped a home owner in New Jersey find an architect to design an addition. In the end, he was able to hire Rudolph’s original project manager to construct the addition in way that fit into the original design.

A Cautious Optimism

We continued to hold out hope that - despite not hearing from the architect - the project was ‘in good hands.’ From online comments and at our public events, people were relieved to hear Mr. Ford had purchased the property as he was known for taking care of homes designed by significant architects, such as Richard Neutra.

Following the CNN documentary, Netflix announced that it too was going to do a story about Halston and were scouting locations to use for filming. Netflix location scouts visited us in the Rudolph-designed apartment at Modulightor and we spoke to them about Mr. Ford’s proposed changes and they said they would call us after seeing the original home for themselves. That was followed by the New York Times publishing the Halston interior as #19 on its ‘25 Rooms that Influence the Way We Design’

As the iconic interior continued to be in the news, we waited to see what was being done to the space.

Then we got a call - “The space is gutted, Its unrecognizable.’

What Will Change and What Will Stay the Same

The foundation immediately made phone calls and was able to obtain a set of the permit drawings. The following is what we learned about the work:

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First Floor - Existing Plan. © The Estate of Paul Rudolph, Paul Rudolph Heritage Foundation

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First Floor - Demolition Plan. Drawing by Atmosphere Design Group, from the NYC DOB.

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First Floor - Construction Plan. Drawing by Atmosphere Design Group, from the NYC DOB.

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Second Floor - Existing Plan. © The Estate of Paul Rudolph, Paul Rudolph Heritage Foundation

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Second Floor - Demolition Plan. Drawing by Atmosphere Design Group, from the NYC DOB.

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Second Floor - Construction Plan. Drawing by Atmosphere Design Group, from the NYC DOB.

What’s different:

• All of the bathrooms are being gutted and some are combined to become larger. Looking at the elevations, we are pleased to learn it will include floor to ceiling mirrors with chrome vanities and toilets in some of them.

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Mirrors, mirrors everywhere… reminds us of the note ‘melamine everything’ that was found during a renovation of Rudolph’s own 23 Beekman Place. We especially love the polished chrome toilet and vanity with undercounter lighting. Drawing by Atmosphere Design Group, from the NYC DOB.

• The Kitchen will be enlarged (presumably for a menu greater than just ‘baked potatoes’)

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Mirrors used for the kitchen back-splash are reminiscent of the kitchen designed by Paul Rudolph at the Modulightor’s duplex apartment. Drawing by Atmosphere Design Group, from the NYC DOB.

• The Master Bedroom’s walk in closet is being removed and turned into a separate bedroom

What’s the same:

• The main space for the most part is left alone. While this is a relief, it will disappoint anyone who was hoping the hardwood flooring, installed by a previous owner, would be replaced by Halston’s signature grey wall-to-wall plush carpeting.

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The iconic living room will be left mostly as is. The furniture layout suggests it may be recreated to match Halston’s Rudolph-designed originals. Drawing by Atmosphere Design Group, from the NYC DOB.

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The living room floor and stair treads are now wood. According to the plans, they will remain wood. Photo by Carl Bellavia, Archives of the Paul Rudolph Heritage Foundation.

The original funriture layout designed by Paul Rudolph for Halston. Photo by Harry Benson, from a feature on Halston in Life Magazine.

What could be a concern:

• Despite being in a landmark district - and signed off by the Landmark’s Commission as having no affect on the building exterior - the drawings show the original garage door will be removed and replaced.

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Note the garage door is dotted on the demolition plan, with a note calling for it to be replaced. Drawing by Atmosphere Design Group, from the NYC DOB.

• The drawings call for renovations of the landscaping and roof to be filed separately

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The Fourth Floor construction plan, showing no work to be done on the roof, but calling for new roof tree planters. Drawing by Atmosphere Design Group, from the NYC DOB.

The Paul Rudolph Heritage Foundation will continue to watch for future applications to see what is planned for these areas that fall under landmarks review and protection.

A note from Yasmine

A goup photo with Yasmine Rajkarnicar (seated) on her last day of volunteering at the Paul Rudolph Heritage Foundation.

INTRODUCTION

Volunteering at the Paul Rudolph Heritage Foundation matters and makes a difference - and we rely on volunteers to help us with our mission and to reach our goals. This year we were fortunate to have the help of several volunteers including Ethan Shapiro and Yasmine Rajkarnicar - who each brought a fresh perspective and a shared passion for Paul Rudolph’s work.

We received the following note from Yasmine Rajkarnicar. She recently returned to St. Cloud, Minnesota to study construction management at St. Cloud State University. Yasmine's enthusiasm and hard work were a great asset for us, helping with research and updates to our archives. It was also a plus that she loves brutalism :)

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A SUMMER WITH PAUL RUDOLPH

I stumbled across the Paul Rudolph Heritage Foundation’s webpage one day as Summer was coming to a close and I was feeling that my Summer had not been exactly fulfilling. The Foundation had people like Anton Garcia Abril, Normal Foster and Iwan Baan follow them on Instagram. And I was fascinated to learn that their office was inside the iconic Modulightor building - the epitome of Paul Rudolph’s architecture of interconnected complex spaces, giving the feel of levitating planes and spaces. Before I knew it, I had signed up for a volunteer-internship with the Foundation and I was on my way to New York City.

During my time at the Foundation, I had the chance to explore many of Paul Rudolph’s wonderful buildings. I researched about the current condition of some Paul Rudolph houses and updated the Foundation’s website. I wrote a report on the Niagara Falls Public Library that is currently being threatened with demolition. My research assignments led me to books such as Paul Rudolph: The Florida Houses, Paul Rudolph the Late Work by Roberto de Alba and magazines at USModernist. As I worked on Rudolph’s buildings, the story behind the design of each building came to life for me. I heard many interesting stories about Paul Rudolph’s life and his source of inspiration behind his buildings from his two best friends. The Foundation’s building is ornamented with Paul’s artifacts and drawings and it’s like a living documentary of Paul Rudolph’s life.

The office staff always seem like they are on an adventure or a mission of some kind, working on saving one building one day and another the next day. Kelvin Dickinson, the President of the Foundation, is always running from one state to another to gather more information or pictures of buildings threatened by demolition.

The office is busy with so many things going on and buzzing with exciting news about architecture and design. Everyone is constantly working on something and when we’re not working, we’re talking about Émilie du Châtelet or Ludwig Wittgenstein or Peter Eisenmann debates or Louis Barragan’s new documentary and of course, Paul Rudolph!

The Foundation also hosts many exciting events where a lot of design professionals, architecture enthusiasts and scholarly people come to socialize and network in this niche circle. I got to attend a ‘Women in Events’ party by peerspace, an open house party and Vladimir Belogolovsky’s (founder of the Intercontinental Curatorial Project) talk on the iconic Buildings of New York.

I learned so much more about architecture on the whole - concepts, issues and personalities. I didn’t expect to learn or do much at the Foundation, but I was actually given meaningful assignments and not just scanning or filing. I came out feeling inspired and transformed. I am not sure I actually did make a difference to the legacy of Paul Rudolph but what is important is that I felt like it in my own small way. Well, Mr. Rudolph ………...it’s been real! You just made my Summer of 2019!

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Like Yasmine, you too can share your passion for Paul Rudolph’s work by volunteering with us. Join our dedicated team and help us preserve and share Paul Rudolph’s legacy. If you would like to know more, please reach out to us at office@paulrudolphheritagefoundation.org

Paul Rudolph Estate Announces Licensing Agreement for Paul Rudolph’s Architectural Works

CONTACT:
Kelvin Dickinson
kelvin.dickinson@paulrudolphheritagefoundation.org
+1 (917) 242-0652

FOR IMMEDIATE RELEASE: 08/20/19 3­­­­:16 p.m. ET

NEW YORK, NY (August 20, 2019) –The Paul Rudolph estate today announced a representation agreement regarding the intellectual property rights to the architectural works of legendary Late Modernist Paul Rudolph.

Under the terms of the agreement, the Paul Rudolph estate authorizes the Paul Rudolph Heritage Foundation to act as its exclusive worldwide representative with regard to licensing third parties for any and all uses of the intellectual property rights of the Works of Paul Rudolph.

“The Paul Rudolph Heritage Foundation is dedicated to communicating, preserving and extending the legacy of world renowned architect Paul Marvin Rudolph,” said Kelvin Dickinson, President of the Paul Rudolph Heritage Foundation.  “It is an honor to be entrusted by the Paul Rudolph estate with representing such a distinguished and legendary career.”

Ernst Wagner, Executor of the Paul Rudolph estate stated, “It is the common objective of the Paul Rudolph Heritage Foundation and the Estate of Paul Rudolph to carry out Rudolph’s wish to preserve and publicize his professional architectural career.  In carrying out these objectives, it is the goal of the Foundation and the Estate to promote and engage in such activities, which increase the appreciation, understanding, accessibility, study and preservation of Rudolph’s architectural career. The Paul Rudolph Heritage Foundation has our full support to ensure Paul Rudolph’s legacy endures and recognition of his work continues to grow.”                            

About the Paul Rudolph Estate

Ernst Wagner, a personal friend of Paul Rudolph and owner of Modulightor, a lighting company they co-founded is both the Executor of Paul Rudolph’s will and the beneficiary of his estate.  Mr. Rudolph passed away in 1997.

About the Paul Rudolph Heritage Foundation

The Paul Rudolph Heritage Foundation is a New York City-based non-profit 501(c)3 organization founded by Ernst Wagner to fulfill Paul Rudolph’s wish that an organization be created to preserve his architectural legacy.  Through preservation and advocacy efforts, educational initiatives, public events and maintaining and developing an archive of written and graphic materials, the Foundation seeks to communicate the legacy of this unique American architect in a larger architectural and cultural context to interested students, journalists, scholars, and the general public. 

For more information on the Paul Rudolph Heritage Foundation, visit www.paulrudolphheritagefoundation.org and find the foundation on Twitter (@PaulRudolphHF), Facebook (@paulrudolphheritagefoundation) and Instagram (@paulrudolphfoundation).

Download the press release here.